photo by Dickson Dee
Experimental and world music fans with their ears cocked towards China are likely familiar with Li Daiguo, the acclaimed boundary-pushing musical polymath known as much for his complex compositions performed on a wide spectrum of traditional instruments as his often-bewildering live performances that have seen the American-born Chinese cavort with gypsies, tramps and other self-described lunatics alongside some of the country’s most respected avant-garde and experimental musicians, including boldface names like Wu Na, Xiao He and Yan Jun.
His latest effort, the seven-inch vinyl release Music for Advertisements, sees Li presenting a series of sonic advertisements for seven locations that the 32-year-old appreciated during his six years in Chengdu, the southwestern regional hotspot, creative hub and capital of the country’s infamous Sichuan Province.
Mining both the traditional Chinese and global music canon for instrumentation that incorporates everything from his signature pipa and erhu to the beatbox, clarinet, cello and a flotilla of flutes, Li skillfully brings the 2300-year-old city to life with his dynamic series of self-produced sonic snapshots that run the gamut from a tuberculosis hospital to lush bird and plant markets to the secretive fleshpeddlers who congregate around the city’s Old South Gate Bridge angling for lucrative tricks.
We sat down with Li between tours and thrust and parried our way through several sprawling discussions. Read on to listen to the deconstructionist zero in on a slew of topics, including the trappings of genre identification, spirituality and meditation, the concepts behind the new record and what to expect at the Beijing and Hong Kong release parties.
Continue reading Interview with Li Daiguo